Showing posts with label star trek: the next generation. Show all posts
Showing posts with label star trek: the next generation. Show all posts

Thursday, February 23, 2012

Utopic versus Realistic Space Opera: Battlestar Galactica (2004) and Star Trek: The Next Generation

My wife and I recently watched all four seasons of Battlestar Galactica (2004) for the first time. What an amazing show! I loved the way it seemed to take traditional space opera tropes and somehow make them more "human" and "gritty." There's a realism to that show that makes one think while watching it, "Yes. If there were spaceships, if there were spacefleets, this is what life within them would be like."

I found it strange how often I thought of Star Trek: the Next Generation while watching this show. I often made comparisons. Having had some distance from the show, I now realize why I was making these comparisons.

If ST:TNG is utopic--a kind of futuristic paradise--then Battlestar Galactica is realistic. I wouldn't go so far as to say it's dystopic, a horrible world. Sure, humanity has been destroyed and is hurtling through space in the search of a new home; and yet, dystopic texts, I think, don't hold out the prospect for hope BSG does. In BSG, the possibility that the humans will find earth is always there.

Comparing ST:TNG to BGS reveals some very interesting things, I think, about two "flavors" of science space opera, what I want to call "utopic space opera" and "realistic space opera."

For example, let's compare a few characters. In ST:TNG you have Captain Jean Luc Picard and in BSG you have Commander William Adama. Both of these figures share some characteristics: Adama is a scholar (consider his book-filled study), and Picard is a scholar (Picard is always quoting the Western Canon). They both demand respect from their crews. They both make inspirational speeches. And yet, there are some major differences: Adama is willing to execute folks if they get out of line. Picard doesn't believe in corporal punishment. Adama is an alcoholic and curses a lot. Picard drinks earl gray and is very proper. Adama deals with the civil government: the president of the colonies. Picard doesn't deal with the civil government at all. He gets all his orders from the military, the Starfleet.

Now let's consider another pairing of characters: the second in commands, Colonel Saul Tigh and Captain William Thomas Riker. How are they similar? Well, Tigh executes the commands and polices of his superior officer, and so does Riker. Riker appears, in many episodes, as a kind of disciplinary figure; Tigh is completely in charge of disciplining the crew. Other than their rank and military funiction, I can't think of any additional characteristics they share except they both appear to like to play cards. Now let's think about their differences. I can think of a major one: the majority of the grew of the Battlestar Galactica hate or at least fear Saul Tigh. He's a bastard, and for good reason: he courts this sort of image for specific purposes. The majority of the crew on the Enterprise, however, love Ricart. His leadership style is to "get close" to those below him.

Now I want to consider the two ships that dominate these two shows: the Battlestar Galactica and the U.S.S. Enterprise. They are both similar in that they're both the flagships of their fleets: the Colonial Fleet and Starfleet. But, they couldn't be more different. The Enterprise is the cutting edge of technology, the best Starfleet has to offer. The Battlestar Galactica is outmoded technology, an old-fashioned throwback, a kind of museum that is literally falling apart. The Enterprise is filled with potted planets, carpeted, and appears--at least to me--to be air-conditioned. Gods, they have orchestra and theater performances inside of it! The Battlestar Galactica is like a submarine. It's spartan: all metal, and screws, and cold, and cramped. Airlocks everywhere and, as the show progresses, more and more dirty. Often you wonder, as you're watching, "I bet it stinks in there."

Another minor comparison: think of the two bars on the ships. Well, Battlestar Galactica starts off with no bar at all until they realize that they are going to be on the ship for so long, they need some sort of place for recreational unwinding. And so they build Joe's bar. The Enterprise has Ten Forward, which is a posh, "wear-your-best" bar.

Another comparison: food and water and real world concerns like toothpaste and fuel come into consideration in BSG. In ST:TNG, none of this is considered. It's "post-scarce." Everyone has everything and anything they need.

There's a lot more here and I have to stop typing. This post is getting long. I think I'm getting at the key differences between these two shows, which point to something more major: two visions of the science fictional future or space opera. We have with BGS an imagined future that's not all polish and beauty. We have something more visceral and real. But there is indeed something comforting and inspiring by the vision of ST:TNG.

I'm not sure which vision I prefer. I think they're both interesting and enduring pieces of art. But we have with these shows demonstrated two flavors of space opera that are crystallizing.

Wednesday, February 15, 2012

Visions of Delight, Visions of Horror (Post 6): Technology-as-Human versus Technology-as-Anti-Human

Pre-Post Preamble

Today I'm going to continue my post series that is an attempt to log and to preserve the insights that came out of a science fiction class that I taught at Case Western Reserve University in the Summer of 2011, titled, "Visions of Delight, Visions of Horror: Technology and the Cultural Imagination of the 20th century." 

Here is a link to the first post: Visions of Delight, Visions of Horror

Now that I'm on post 6 I feel compelled to offer a table of contents of previous posts. Here they are:


As I'm proceeding through this post series I'm starting to realize how each post is going to become less and less "self-contained" as I proceed; by which I mean, I find I am compelled to refer to previous posts in a way I haven't had to in previous post series. 

***

Another text we treated in my science fiction class was an episode of Star Trek: The Next Generation. The was episode 14 of season 1, titled, "Datelore." This episode truly captures the theme of ambivalence towards technology that was at the heart of the class.

Data and Lore
Some summary (I'm taking some ST:TNG corpus knowledge for granted here): the Enterprise stops by the planet where Data was found by the Federation. There they find in a hidden chamber an exact replica of Data, except this replica is disassembled. They bring the android pieces on to the Enterprise and reassemble them. It turns out, this is Data's brother, another android by the name of Lore. Immediately there are things about Lore that begin to disturb and stir the suspicions of the crew. It turns out Lore was disassembled because of his evil tendencies. He thinks androids are better than humans and therefore they deserve to die, or at least serve androids as slaves.

What is so interesting about this episode, I think, is the two separate visions of technology that emerge out of the two different android characters. 

Lieutenant Commander Data is a kind of "Pinocchio" figure who loves humans and strives to be a human. Data is moral and helpful and very often endearing. 

Lore, on the other hand, is a megalomaniac. He is deceiving and extremely powerful; furthermore, he thinks of humans as flawed and as insects that are dispensable.

We begin to see in this episode all sorts of parallels with the previous texts we've treated in this class. 

Ray Kurzweil and Transcendent Man

In Kurzweil's documentary, Transcendent Man, a major debate is whether or not the super intelligences he predicts will be empathetic to humans or hold us in contempt as insects. Hugo De Garis obviously believes the latter is the case while Kurzweil believes that not only will the robots serve us, make us better (his argument is much stronger), but that the robots will be us

And so, we can perhaps see in Data--struggling to become human--as suggesting Kurzweil's vision of technology; and we can see Lore--the evil, human hater--as suggesting De Garis's vision of technology.

Star Trek (Episode 7): "What Are Little Girls Made Of?"

We see this very ambivalence played out in the Star Trek episode I treated in an earlier post. In episode 7 of Star Trek you have two avatars of robots or technology: Ruk, the human hater, and Andrea, the robot who falls in fall and commits suicide when she realizes she will never be able to love.

The Twilight Zone (Episode 7): "The Lonely"

At the end of this episode the android, Alicia, is shot and killed. I'd like to suggest that the episode doesn't key us into how to read this. Is this a murder? Something horrendous? OR! Has the protagonist (who was in love this this android?) been freed from a kind of spell? Was Alicia truly in love with the protagonist? Or, was Alicia's love an illusion, the product of software?

***

Robots-as-humans versus robots-against-humans: this is an ambivalent, vexed issue that recurred consistently throughout the class. The core queston these texts seem to be asking is, is technology of us? For us? Inextricably bound to us? 

OR! It technology becoming something else? Something other? And therefore, something hostile or something we should be suspicious of?

Hmm...